Reviews
"Robin Ekiss’s haunting first book is replete with miniatures, with dolls and toys, with magic acts and mysterious maternal passageways. She treads the impassable route back to childhood ('the past is another country') and finds that 'the pastness of the past/isn’t trapped in glass.' It’s magical to find a first book that is, as Robert Frost put it, 'play for mortal stakes.'"
—Edward Hirsch, author of Special Orders
Description
Robin Ekiss’s meditations on memory and mortality are a canary in the coal mine of imagination. With disembodied dolls, dank Parisian catacombs, the gilded interior of a Fabergé egg, and the unfathomable edge of Niagara Falls as the dominion of these poems, reading Ekiss’s work is like peering into the perfectly still world of a diorama or daguerreotype: an experience both uncanny and uncompromising.
Robin Ekiss has received a Stegner Fellowship from Stanford and a Rona Jaffe Foundation Award for Emerging Women Writers. Her poems have appeared widely, in the Atlantic Monthly, Poetry, American Poetry Review, Ploughshares, New England Review, and elsewhere. She lives in San Francisco, California.
