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The Flannery O'Connor Award for Short Fiction |
Get submission guidelines for the Flannery O'Connor Award for Short Fiction competition. View the judges' profiles: |
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About the Flannery O'Connor Award
More than fifty short-story collections have appeared in the Flannery O'Connor Award series, which was established to encourage gifted emerging writers by bringing their work to a national readership. The first prize-winning book was published in 1983; the award has since become an important proving ground for writers and a showcase for the talent and promise that have brought about a resurgence in the short story as a genre. Winners are selected through an annual competition that attracts as many as three hundred manuscripts.
Winners of the Flannery O'Connor Award for Short Fiction include such widely read authors as Ha Jin, Antonya Nelson, Rita Ciresi, and Mary Hood.
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Announcing a new series editor Nancy Zafris is the new series editor for the Flannery O'Connor Award. Her most recent novel is Lucky Strike, a Book Sense notable pick. She has also published The Metal Shredders, a New York Times Notable Book of the Year. Her first book, The People I Know, won the Flannery O'Connor Award as well as the Ohioana Library Association award. She was the fiction editor of the Kenyon Review for nine years before becoming the Flannery O'Connor Award series editor. For more information about Nancy, visit her web site at www.nancyzafris.com |
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A note from Nancy Zafris I want to talk a little bit about the selection process we’ll be using under my editorship. We will still have three external judges, and we will continue to use a blind review process, meaning that the name of the author is stripped from the manuscript before judging begins. Each judge will read a third of the contest entries and will make a selection of 7-10 finalist manuscripts, which will then be forwarded on to me. I will then select two winning manuscripts from this group of 20-30 finalists. It is my hope that this slightly revised selection process will allow the external judges more freedom to take chances in selecting interesting finalist manuscripts and that the competition will represent a fuller aesthetic range. I know from personal experience that the unpublished writer feels the odds are stacked monumentally against him or her. Getting published is a terrifically hard business. I went up through the slush pile myself. I had no MFA in Creative Writing and no contacts. It took me four years to get my first story published. My first big break was winning the Flannery O’Connor Award. At the time I had published only three short stories. So, how do I read a collection of short stories? I’ve read hundreds of manuscripts as a teacher, a colleague, and an editor. I always begin with an open minda mood of receptivity. However, it is the author’s job to meet my expectations, my desire to be delighted or charmed or moved. This means that writers need to work very hard on their opening pages. Tell your story in your own (authentic) quiet or loud or funny voice and I’ll give your story a chance. How should you put together your collection? Should your collection err on the short side or the long side? Should your best story go first, or last? Should your title story be your first story? Should your first story be a shorter one, or longer one? If you have a novella, should it go last (I’ll just go ahead and answer that one: yes). There is no right or wrong formula, but these are questions you need to think about. I won the Flannery O’Connor Award on my second try. After that, I began working with the series editor, the wonderful Charles East. We switched out stories and did a lot of editing. I was worried that the book seemed short, but he assured me that people like shorter rather than longer. Winning the Flannery O’Connor Award resulted in two major career starters for me: I got an agent, and I got a visiting professorship at a university. So that’s my experience. Consider what this competition has to offer and then do what’s best for you. I look forward to reading your manuscript in the pool of finalists. Good luck! |
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Submission Guidelines
Each year the University of Georgia Press selects the winners of the Flannery O'Connor Award for Short Fiction. Authors of winning manuscripts receive a cash award of $1,000, and their collections are subsequently published by The Press under a standard book contract. The Press may occasionally select more than two winners.
Selection process: in addition to series editor Nancy Zafris there are three external judges. The manuscripts undergo blind review, meaning that the name of the author is stripped from the manuscript before judging begins. Each judge reads a third of the contest entries and makes a selection of 7-10 finalist manuscripts, which are then forwarded on to Nancy Zafris, who selects the two winning manuscripts from the group of 20-30 finalists.
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Eligibility
Statement of Integrity The University of Georgia is thoroughly committed to academic integrity in all of its endeavors. The University of Georgia Press adheres to all University of Georgia policies and procedures. To help ensure the integrity of the competition, manuscripts are judged through a blind review process. Judges in the Flannery O'Connor Award for Short Fiction competition are instructed to avoid conflicts of interest of all kinds. PLEASE NOTE: The Press will accept no phone calls regarding the Flannery O'Connor Award.
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Coming in Fall 2008
The Theory of Light and Matter |
Drowning Lessons |
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Recently published
The Pale of Settlement |
Super America |
Tell Borges If You See Him |
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