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Camera Man's Journey Julian Dimock's South The images show African Americans in or around Columbia, Beaufort, and Hilton Head, South Carolina. Some photographs were taken in surroundings where blacks might associate with whites—out of necessity and according to strict custom. Most of the images, however, are set in "colored sections" or other remote areas of town and country where blacks were obliged to fashion lives apart. Under segregation and disenfranchisement, men, women, and children are portrayed in ordinary occupations and pursuits: a peddler selling his wares, a woman tying a toddler's shoes, a barber and his young apprentice taking a break outside their shop. Julian Dimock, whose works appeared often in major travel and nature magazines, took the photographs in 1904-5. So many photographers of the era tended to romanticize or politicize their African American subjects; Dimock was different. Signs of want and inequity are plain to see in these images, but Dimock portrays his subjects as they really were in all of their dignity, strength, and beauty. Julian Dimock (1873-1945) was born in New Jersey and traveled widely across the United States, taking photographs on his own and as part of many scientific and sporting expeditions. Dimock abruptly ended his photography career in 1917 upon the death of his father, who, as a writer, was also his frequent traveling companion and collaborator. Dimock went on to become a highly regarded orchardist and exponent of conservation. Thomas L. Johnson has been a field archivist associated for more than twenty-five years with the South Caroliniana Library at the University of South Carolina. His 1986 book, A True Likeness, coedited with Phillip C. Dunn, won a coveted Lillian Smith Award from the Southern Regional Council. Nina J. Root is Director Emerita of the Research Library at the American Museum of Natural History, where, among many other accomplishments, she cataloged the Julian Dimock photograph collection. July 2002 ISBN 0820324248 cloth • $39.95 208 pp. • 10 x 8 1/2 in. • 155 photos"A vivid, moving story wherein the images bring to life unspoken words that strongly remind us that this world of downtrodden and oppressed people whose spirits did not break was never meant to be silent." —Cleveland L. Sellers Jr."If Dimock's photographs fail to depict the repression and violence that circumscribed black life, they do suggest, often quite eloquently, how black South Carolinians endured, the extraordinary resourcefulness, spirit, and resiliency they displayed." —Leon F. Litwack"[A] rare and valuable collection . . . Centered on a few towns in South Carolina, the images are noteworthy for their inherent moral frustration with social norms and their idiosyncratic portrayal of the dignity, power, and identity of African American fellow citizens during a time of horrific racial strife." —DoubleTake"There is a quiet devastation in these communities. 40 years after the end of the Civil War. Weathered ancients (here you'll find Tamar Blythwood, 116 years old) stand stock-still for their portraits, but life around them is in motion: Exuberant youth balances on fenceposts, wipes its nose with a sleeve." —Peter Terzian, Newsday "[Camera Man's Journey] adds considerably to the canon of Southern imagery while also challenging some of the preconceptions about Southern photography in the early 1900s. Though technically beautiful, the images avoid soft-focus sentimentality that was popular at the turn of the century. And though humanistic in tone, these images are remarkably unsentimental in portrayals of poor South Carolina blacks. Like Paul Strand, Dimock is able to mix journalistic integrity with an aesthetic approach that elevates his imagery art." —Bill Steber, Tennessean "[Dimock's] exacting eye and large format glass plates created prints so sharp you feel you can step into them. Ex-slaves, servants, sharecroppers and their often-gleeful children come alive in their hard condition. We sense their great beuty, their vitality, their endurance. The essays about Dimock and this setting are fascinating." —Camera & Arts "A breathtaking trove of black-and-white photographs made in Columbia and Beaufort between 1904 and 1906. . . . The photographs have been astonishingly preserved and handsomely published in this most attractive volume that does great honor to the publisher, the editors and, above all, to the photographer and his subjects." —William Starr, The [Columbia, S.C.] State"Camera Man's Journey does more than record the Dimocks' excursions to South Carolina in 1904-5; the images refract the harsh light of suffering and privation into visual beatitudes. Dimock captured incalculable depths in his offhand studies of farmers and fishermen, young dandies and aged former slaves. . . . Despite sharecropping, repression, poverty, illiteracy, exploitation, powerlessness and the grinding humiliations of segregation, these extraordinary images disclose the wellsprings of nobility." —Frederick Kaufman, The New York Times Book Review "Dimock, a white photographer from New Jersey, has left a documentary legacy that partially rescues hs subjects from the invisibility of the sort suffered by Ralph Ellison's character in a later decade. . . . These images are to be treasured as well as pondered. We're fortunate Dimock recorded them for us." —Bill Harris, Metrotimes "Dimock's straightforward documentary photographs lift the veil on African American life on the fringes of towns in the South, specifically Columbia, Beaufort, and Hilton Head, South Carolina. . . . Dimock's important images go beyond an anthropological document of hardship, revealing the beauty, strength, and dignity of the hard-working people he photographed." —J. Natal, Choice "In an age when documentary often aims to shock, these images speak more quietly, and more clearly." —Oxford American |
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